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The man who envisioned and realized such landmark buildings as the Salk Institute, the Kimbell Art Museum, and the National Assembly complex in Bangladesh, Louis Kahn was born in what is now Estonia, immigrated to America, and became one of the towering figures in his adopted country's built world. His works are unmistakable in their elegance, monolithic power, and architectural honesty.Written by Carter Wiseman, one of Kahn's most respected commentators, this book offers a succinct, accessible examination of the life and work of one of America's greatest architects. It traces the influence on Kahn's architecture of his immigrant origins, his upbringing in poverty, his education, and the impact of the Great Depression and the arrival of Modernism on his life and work. Finally, it provides insight into why, as the legacy of many of his contemporaries has receded in importance, Kahn's has remained so durably influential. Louis Kahn: A Life in Architecture provides the best concise introduction available to this singular life and achievement.
Architects expect to design buildings. But persuading clients to
carry those designs into tangible form almost always involves
writing as well as designing. Yet architects, and those who write
about architecture, are often more comfortable with images than
words. Presenting their visions in an articulate, accessible, and
convincing written form can be difficult, and professionally
hazardous. In "Writing Architecture," Carter Wiseman provides an
invaluable guide for students and practitioners on how to convey
the importance of architecture to those who commission it, build
it, and benefit from it. Drawing on a wide range of sources and
citing examples from such authors as Frank Lloyd Wright, Ada Louise
Huxtable, Vincent Scully, F. Scott Fitzgerald, and today's leading
designers, Wiseman analyzes basic principles of compositional
structure to illustrate the most effective forms of architectural
writing.
Carter Wiseman presents an original, readable, and literate overview of the major figures, influential movements, and landmark buildings that have defined American architecture over the past hundred years. In a survey that is "as good . . . as anyone is likely to write . . . accurate in its facts, wise and fair in its judgments"(New York Times), he focuses to a large extent on architecture's makers--the commanding figures who by force of personality and sheer artistic ability indelibly influenced its progress: Louis Sullivan, Frank Lloyd Wright, Philip Johnson, I. M. Pei, Robert Venturi, Louis Kahn, Frank Gehry. The triumph of modernism; the growth of architectural preservation; the eclipse of the practical arts by money, theory, and abstraction; and the uncertain future of architecture in a country that celebrates both individualism and community are just some of the issues addressed in this highly praised work. Originally published in hardcover under the title Shaping a Nation.
Now ranked with Frank Lloyd Wright, Le Corbusier, and Mies van der Rohe, Louis I. Kahn brought a reverence for history back into modern architecture while translating it into a uniquely contemporary idiom. Drawing on more than one hundred interviews with colleagues, coworkers, clients, and family members and illustrated with many previously unpublished photographs, this book documents the uniquely American rise of a poor immigrant to the pinnacle of the international architectural world. It illuminates the richly diverse personal relationships Kahn had with such clients as Jonas Salk and Paul Mellon, and the romantic entanglements that mystified even those closest to him. While celebrating the genius of Kahnis art, the book provides an invaluable portrait of the man who created it."
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